The Day The Tones Desired Equality
(The following is a piece of creative writing and should not be used as a reference for historical studies on the 12-tone system.) There had been a time, a long time ago, when the tones knew they were not equal, and they were all right with that. In different contexts, they took on different roles. For example, C may take on the role of Do in C minor, grounding the piece, taking the lead role, being the one to set the tone and the one to close the piece. Or it may take the role of Ti in D flat major, made to showcase the D flat, creating that pull, that desire for home, occasionally adding just enough dissonance to highlight the consonance. Or it might function as Sol in F major, providing crucial support and strength to F so F could do what she needed to do without being crushed. The tones, as said, were perfectly fine with this arrangement. They understood that every role was equally important, even if not all roles were equal in what they did. Each embraced its uni...